This is a joyful discovery of some truly remarkable keyboard music written by female composers, who are at long last finding new young performers delighting in championing them.
Antonio Oyarzabal’s discoveries range from Elisabeth Jacquet de la Guerre (1665-1729); Marianna Martines (1744-1812) admired by Mozart; to Mana Zucca (1885-1981) via Fanny Mendelssohn, Lili Boulanger to Vitezslava Kapralova, pupil and only muse to Bohuslav Martinu.
